I was fortunate enough to get to interview them the day of the concert and I can tell you they are simply great human beings with amazing talent and great music.

It filled me with energy and I got to meet Laura for the first time.įast forward to their 2018 Houston show- I am incredibly happy that they are getting the recognition they deserve. This was before they blew up with sold out shows all over the world. I was able to see them live in 2017 when they were touring with Chicano Batman. If you are deciding whether to see them in concert, the correct answer is yes. And I again realize that the presence of music in the human experience has great potential to heal and connect. Seeing them play in a small, dimly lit club in San Diego, I felt the air of tranquility that comes from a profound change in perspective. With the backbone of a solid drummer driving a perfect timed and assertive presence in the foreground, Khruangbin crosses cultural boundaries to bring an accessible sound of Thai-influenced groove to the ready ears of American listeners. If the viewer gets too mesmerized by the bassist's flashy fashion and smooth grooves, one may miss the subtleties of layered sound and animated licks that the guitarist never seems to overplay.

The feeling persisted until this hammock of auditory energy lifted the crowd back up into funky dance number, keeping the mood light and optimistic. When they played 'White Gloves', a deeply empathic energy filled the room and a solemn groove thick with feeling cradled the listener in its sound. The primal mood then evolves into a funky dance groove reminiscent of the early 70's. During 'The Infamous Bill' a sudden stop in melody makes room for the sound of percussion to take center stage, with both bassist and guitarist joining in on a glass bottle percussion break. This trio wastes no time on face-melting solos, but instead focuses on easing the listener into a world of musical conversation across cultures and moods.

Their ability to change the energy with seamless transitions and consistently on-point drumming is an astounding experience in itself. There is much to be said about their moody sound, but the players themselves articulate emotion well with each phrase and break creating openness through each movement. With all three talented musicians bringing their own influences ranging from Funk, Soul, to Thai, melded with the euphoric sense of oneness on this earth, Khruangbin's full atmosphere felt welcoming while still expressing that sense of questioning. This show proved that creation happens in some of the most simplistic and rooted ways. It's a very special time to be alive, with musicians and artists diminishing boundaries of style and influence to create new sounds of musical expression.

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